The Remarkable History of the Louvre Museum – Part 3

Musée Napoléon — A Place flouvre-history2.htmlor the Arts. It's a long way from a medieval fortress to an art museum visited by seven million people a year. We've seen how the Louvre frew from just another part of the defenses of Paris, incorporated in the 12th-centry medieival walls, to a palace fit for a king.

But then, just at the time when the Louvre was about to achieve a real magnificence, as the most opulent royal palace in Europe, Louis XIV, the most opulent of French kings, decided to move the court and royal residence to Versailles, and that became his new focus. Over the next century the now-abandoned royal palace became a place for the arts, and France's official art museum under the Revolutionary Assembly. Then along came a general named Napoleon

Musée Napoléon

the history of the Louvre

Napoleon (you knew we were going to talk about him eventually, didn't you?) enriched the Louvre's collection with artwork he plundered during his military conquests.

Most of these were returned after his downfall. However, interestingly, the antiquities that Napoleon plundered in Egypt were seized by the British Army and most of them ended up in the collections of the British Museum.

The museum was briefly renamed Musée Napoléon and the emperor began work on the Rue de Rivoli and the wing of the Louvre that extends westward along it.

Other transformations took place under Napoleon III, including the completion of the Grand Design – the north gallery connecting the Louvre to the Tuileries was completed. Work was also done to the south gallery (along the Seine) to ensure symmetry in this now gigantic architectural complex.

During the Paris Commune of 1871 the Tuileries Palace and parts of the Louvre were set afire. The Louvre was later repaired, but the Tuileries was demolished and never rebuilt.

World War II Artwork Removal

Empty frames at the Louvre

Plans for evacuating the works of art in the Louvre, in case of war, were drawn up as early as 1932.

Then, with tensions mounting in Europe, on September 27, 1938 the first two convoys of art left the Louvre Musuem Paris France, transferring fifty works to Château de Chambord in the Loire Valley.

In August 1939 the transfers continued in earnest. Thousands of works were removed and sent to various safe locations within a day's drive of Paris. Over 200 trips were made and 5,446 cases were hauled away in trucks. By December of that year the museum was cleared of most works. The Nike of Samothrace was sent to Château de Valençay, also in the Loire Valley.

The Nazi Occupation

The Nazi Occupation of the Louvre

During the Nazi Occupation of Paris from 1940 to 1944, the Germans began a systematic looting of works of French museums and private collections, mainly those belonging to Jews who were deported or had fled.

In 1940 Adolf Hitler ordered the Louvre to be used as a "place of safety" for looted artworks, and rooms in the Department of Oriental Antiquities. Hermann Göring visited there and handpicked pieces for his private residence.

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In early 1945, after the Liberation of France, art began returning to the Louvre. Reversing the paths of the 1939 evacuations, almost all the masterpieces were restored, thanks to the work of the Commission for Art Recovery. (In all, more than 150,000 seized artworks were returned to France .)

The Louvre Pyramid & Another Major Renovation

The Louvre Pyramid

In the 1980s, during the first term of French President François Mitterrand, it was decided to restore the museum's Richelieu wing, where the Ministry of Finance was located, and use it for an additional gallery.

But the final project ended up being much more extensive than that. The work, under the direction of architect I.M. Pei, renovated large parts of the museum and considerably enlarged it. The famous Louvre Pyramid was built to provide a new entrance to the museum and to transform the exterior.

And that's the form of the Louvre Museum in Paris that we see today.

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